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Kate del Castillo, José María Torre and Jorge Zabaleta star in
Telemundo super series Dueños del Paraíso. |
Dueños del Paraíso
A trio of narco-novelas premiered in the US last week headlined by the highly anticipated
Dueños del Paraíso (weeknights at 10 p.m. ET) on Telemundo. A co-production by Telemundo and the Chilean TVN, but mostly produced in Miami,
Dueños del Paraíso marked the return of Mexican actress Kate del Castillo to Spanish language television, her first telenovela since
La Reina del Sur in 2011, the only genuine hit in Telemundo’s history and, for its first half at least, the best production to come from the network. Any hopes for another
La Reina del Sur dissipate in the opening minutes of
Dueños del Paraíso – it’s a clunker: boring and clichéd with contrived, lazy plotting and amateurish direction.
Dueños del Paraíso opens with the heroine’s voice over saying, “There are no good guys or bad guys, no heroes or villains,” already a lie as the next hour proceeds through melodramatic devices to tell the audience exactly who the “good guys” and “bad guys” are going to be in this story.
Anastasia Cardona, the heroine portrayed by Kate del Castillo, is given an absolving sob story in the opening scene when her long-absent mother arrives at her birthday party (really, an old woman is able to waltz uninvited into the birthday party of a drug lord’s wife) and it’s revealed she was a prostitute who abandoned Anastasia. Talk about lazy writing – there is nothing organic or believable in the scene, no reason we should care about these women whose names we’ve literally just learned a few minutes earlier, no reason except one is played by Kate del Castillo who we know is the star and needs to be fed constant opportunities to remind everyone she’s an actress. Anastasia Cardona isn’t a character, she’s an actress reel.