Showing posts with label De Que Te Quiero Te Quiero. Show all posts
Showing posts with label De Que Te Quiero Te Quiero. Show all posts

Sunday, August 24, 2014

TELENOVELA WATCH: 'Qué Pobres Tan Ricos' Finale Tonight, 'La Malquerida' Premiere on Monday, Finale 'De Que Te Quiero, Te Quiero' Next Week

QUÉ POBRES TAN RICOS ends its US run tonight with a special Sunday finale starting at 8 p.m. ET on Univision. The rich/poor culture clash comedy comes limping to the finish line after seeing its ratings drop this final week, a rare occurrence for telenovelas. Even bad telenovelas typically see their ratings rise in their final weeks for obvious reasons - people want to see the resolutions. QUÉ POBRES TAN RICOS is not a bad telenovela, it is middle-of-the-road, but it has always suffered from a lack of story momentum, its plot lurches episodically with many minor desultory comedic subplots, and you never really feel much is at stake.

What I liked most in QUÉ POBRES TAN RICOS were a trio of double acts: Sylvia Pasquel and Diego de Erice, Mark Tacher and Tiaré Scanda (whose presence is very much missed in the final weeks), and Ingrid Martz and Raquel Pankowsky who are both ludicrously, cartoonishly over the top and I loved every second of them. The other performances I liked in this novela were from Manual “Flaco” Ibáñez, Zaide Silvia Gutiérrez, the young couple played by Jonathan Becerra and Natasha Dupeyrón, Arturo Peniche, Gabriela Zamora, Abril Rivera, and late arriver Cecilia Gabriela.


LA MALQUERIDA premieres
LA MALQUERIDA replaces QUÉ POBRES TAN RICOS on Univision’s schedule on Monday at 10 p.m. ET. This Mexican telenovela from Televisa produced by José Alberto Castro (LA QUE NO PODÍA AMAR; TERESA) is inspired by unusually lofty source material – a 1913 play of the same name by Nobel Prize-winning author Jacinto Benavente that also spawned a famous 1949 movie adaptation from Emilio Fernández.

Saturday, May 3, 2014

TELENOVELA WATCH: Surprise Hit 'La Viuda Negra', Final Episodes of 'Siempre Mi Amore', New MundoFox Series

The success of La Viuda Negra (weeknights at 10 p.m. ET on UniMás) is the surprise of the year so far in the world of telenovelas. This heavily fictionalized telling of the life of the “Queen of Cocaine” Griselda Blanco, a Colombian production from RTI, Caracol and Televisa, has tripled the ratings of the previous novela on the network, La Selección, and topped Telemundo’s time-slot competitor, the narco-novela Camelia La Texana, nine weeks in a row with the gap widening in recent weeks. A few weeks, La Viuda Negra has outdrawn the entire Telemundo lineup of telenovelas, a feat no UniMás series has accomplished since Rosario Tijeras in 2010 back when the network was named Telefutura.

Is La Viuda Negra any good? The direction and editing is the standard customary to Colombian produced narco-novelas, which is to say a better than we’ve seen thus far from Argos/Telemundo. The scripts are a hodgepodge of the now standard narco-clichés with smidgens of fact from Griselda Blanco’s actual life popping up now and again. But make no mistake, this is a drug fantasy, as ludicrous at times as Telemundo’s El Señor de los Cielos or Fox’s El Capo series.

Thursday, March 20, 2014

TELENOVELA WATCH: Thoughts on Seven Novelas - DE QUE TE QUIERO, TE QUIERO; QUÉ POBRES TAN RICOS; POR SIEMPRE MI AMOR; LA IMPOSTORA; EN OTRA PIEL; LA PROMESA; and INFAMES

DE QUE TE QUIERO, TE QUIERO (weeknights at 7 p.m. ET on Univision), a breezy Televisa adaptation of the 1999 Venezuelan telenovela CARITA PINTADA, managed to annoy me so much with its plot contrivances in the opening episodes that I wonder if it can recover. The whole central misunderstanding between the protagonists exists merely because neither character is able to say the right thing at the right time, to make the obvious revelation. The heroine somehow never manages to reveal the crime she believes the hero committed – attempting to rape her; and the hero somehow never manages to reveal he has a twin brother. That the hero can’t figure out his twin brother must have done something to the girl to make her so frightened of him defies all sense. The telenovela also features several scenes of fairly appalling taste including the meet cute of the protagonists which features the hero in blackface, a scene ridiculing an obese couple in a restaurant, and an ersatz ZZ Top guitar riff accompanying each entrance of the “sexy” cop played by Cecilia Galliano. That said, the cast is appealing and mix well, the protagonists are fresh and capable so far, and Marisol del Olmo’s arrival into the story are enough to keep me watching a bit longer.


QUÉ POBRES TAN RICOS
QUÉ POBRES TAN RICOS (weeknights at 10 p.m. ET on Univision) is a why-bother Mexican adaptation by Televisa of the why-bother Colombian comedy telenovela POBRES RICO. It is an amiable, if forgettable hour about a rich family forced to hide out in a property they own and share it with the poor family already living there after the eldest son is framed for embezzlement.

So far, QUÉ POBRES TAN RICOS largely follows POBRES RICO, but at a far slower pace, taking literally twice as many episodes to traverse the same plot points. There is so little story momentum that you forget what the story even is. Most episodes feature a self-contained B story, a little comedic excursion that is usually more interesting than the telenovela’s central plot, and it is these comedic subplots that keep the telenovela afloat.

Monday, March 10, 2014

TELENOVELA WATCH: DE QUE TE QUIERO, TE QUIERO Premieres Tonight; Thoughts on Univision Scheduling and Editing Practices

DE QUE TE QUIERO, TE QUIERO premieres tonight at 7 p.m. ET on Univision just as this Televisa telenovela is finishing up its run in Mexico. A moderate success south of the border, DE QUE TE QUIERO, TE QUIERO is a Mexican adaptation of CARITA PINTADA, a Venezuelan telenovela from 1999 by Valentina Párraga. It is produced by Lucero Suárez whose previous novela was another Párraga adaptation, AMORCITO CORAZÓN.

The press release is careful about revealing plot details over the key event in the story, which is understandable but makes for a vague synopsis: “It’s love at first sight for Diego and Natalia. But after a shocking event and a major misunderstanding, she suddenly breaks off their budding romance and moves away, leaving Diego stunned and wondering why the love of his life has abandoned him with no goodbye or explanation.