I find devastating the contrast in Rosalena between the public persona of a stolid, in control, Junoesque, stylish beauty and the fragile, cracking woman behind closed doors. There was an especially poignant scene this week between Rosalena and her daughter Jana (Ilean Almaguer) as Jana pleaded with her mother, trying to understand why she disliked Luciana so much, and Rosalena, exhausted, lay on her hospital bed, painfully unable to respond, afraid if her past sins are revealed, she will lose the love of her children. Jana finally just told her mother to get better and she loves her, and then hugged her, and Rosalena held her daughter close, tightly, clingingly.
It usually takes a third character to intervene and get the lovers back together. In this case María (Ana Martín) reveals the true reasons for Rogelio’s actions to Ana Paula.“He’s pushing you away because he loves you and he doesn’t think you can be happy with him.” Since the conflict separating the pair is ultimately phony, the resolution of the conflictseems phony as well - it only takes a bit of petting and loving from Ana Paula and Rogelio quickly caves, all notions of noble self-sacrifice forgot. The reconciliation was a sweet scene, but the whole week was largely pointless. I suppose the separation allowed Ana Paula to be plucky and self-reliant, albeit rather dim to have believed the lie in the first place, but I find these stall storylines awfully tedious. Thankfully, this one only lasted a week and things should pick up as the telenovela is entering its final weeks.
Meanwhile, two characters I liked, Leticia (Liz Gallardo) and Lucas (Carlos Athié), were given exceedingly unsatisfying exits. Leticia’s exit, in particular, seemed botched, with the audience led to believe her rich fiancé was a criminal with nefarious designs on her only for it to be revealed in her final episode he wasn’t a bad guy after all, it was all a misunderstanding and they go off to live happily ever after; but because the viewers were cued to believe the guy was bad news, they could never invest in the relationship, so the happily ever after was incredibly hollow.
SCHEDULING
Telemundo will premiere PABLO ESCOBAR: EL PATRÓN DEL MAL on July 9th at 10 p.m. ET. An acquired series produced in Colombia by Caracol, this ambitious biographical novela about the infamous drug lord’s rise to power in the 1970s and 1980s is getting blockbuster ratings in Colombia and I imagine will do the same here.
Univision announced on Friday the Jaime Camil/Lucero comedy POR ELLA…SOY EVA will premiere on July 16th at 8 p.m. ET. It will be interesting to see if Univision continues the four hours of telenovelas in primetime lineup upon the conclusion of LA QUE NO PODÍA AMAR.
RELATED:
- TELENOVELA WATCH: Gabriel Porras Joins CORAZÓN VALIENTE; Wedding Fireworks On UN REFUGIO PARA EL AMOR; Plus, Schedule Changes (June 16, 2012)
- TELENOVELA WATCH: RELACIONES PELIGROSAS Finale On Monday; Plus: Who Shot Bernardo On CORAZÓN VALIENTE? (June 23, 2012)
- TELENOVELA WATCH: RELACIONES PELIGROSAS Finale On Monday; Plus: Who Shot Bernardo On CORAZÓN VALIENTE? (June 23, 2012)
R.G. Morin writes a weekly column for We Love Soaps, "Telenovela Watch: A weekly look at the world of telenovelas for non-Spanish speakers." For feedback or questions, you can email R.G. Morin at argeemorin@hotmail.com.
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